01 / Live performance
Shadow Rain
One cyberattack, two perspectives and two timelines moving towards one another.
My work often begins where a complex subject needs to become more than an explanation: a story that is clear, tangible and emotionally resonant.
Selected work ↘Selected work
Many of my projects are developed in confidential corporate contexts. I therefore describe the task, the format and my own contribution without naming the respective clients.
01 / Live performance
One cyberattack, two perspectives and two timelines moving towards one another.
02 / Narrative short film
A business crisis becomes a story about responsibility, intimacy and loss of control.
03 / Conceptual short film
A change of perspective that turns resignation into a call to action.
Independent narrative project
In development
The narrative core
William Geist is a reality jockey in CEREPOLIS. Together with the assistant consciousness KIMÆRA, he produces and stabilizes realities for a society that seeks to protect its citizens from uncertainty, contradictions and unfiltered experience.
When an error appears in his work, William begins to question the machine, the system and, finally, his own authorship.
Who writes our reality – and how can we still recognize it as our own?
Creator · Writer · Creative Producer
The storyworld
CEREPOLIS is monumental, ordered and cerebral: a techno-sacral metropolis where reality is produced, organized and distributed.
The system offers safety, guidance and belonging. At the same time, it regulates creativity, processes memories and binds people to a controlled form of life. It works – and that is precisely what makes it dangerous.
KIMÆRA tells the first concrete story within a world that can continue to grow across film, stage and interactive formats.
Storyworld · Film · Stage · Immersive formats
About
“I am interested not only in what is being told, but in how text, image, space, music and performance carry a story together.”
DegreeJapanese Studies, B.A.
PlacesJapan, Mexico, New Zealand, London and beyond
WorkWriter & Creative Producer
Since 2020Independent, based in Heidelberg
I studied Japanese Studies (B.A.) and lived in Japan for a little over two years, as well as spending several months each in Mexico and New Zealand. I also spent extended periods in Brazil, Thailand and London, alongside many other journeys. Experiencing and engaging with other cultures continues to shape the way I see stories, people and cultural codes and remains one of my most important sources of inspiration.
For almost ten years, I worked in a cross-functional role at a software company in Heidelberg, at the intersection of technology, communication and creative practice.
In 2019, I left permanent employment and used the transition to gain stage experience as a stand-up comedian and storyteller. Work on my own performances gradually led to larger narratives and more complex productions.
I have been self-employed since autumn 2020 – an unusual moment to begin a new chapter focused on stage and live formats. Over time, writing, dramaturgy and the creative management of demanding productions became the center of my work.
Today I develop films, stage productions, events and interactive formats for companies and institutions. I work as a writer and creative producer: I develop the core idea, find the narrative form, write the text and guide the project from first sketch to finished production. Depending on the project, my role spans concept and script, creative direction and casting, production planning, directing and staging.
Contact
I develop my own material and work on selected productions as a writer and creative producer.

01 / Live performance · 2023
A non-linear stage piece about a ransomware attack – told from the perspective of a company and its attackers.
The 40-minute story follows two timelines moving towards one another. While the past reconstructs the course of the attack, a possible future reveals the consequences of poor decisions. Performance, film, audio, lighting and color codes help the audience gradually assemble the fragmented narrative.
The production opened with a cinematic sequence projected across a full dome. During the intro, the auditorium rotated and revealed the stage. The transition from digital image space to live performance became part of the narrative itself.

02 / Narrative short film
A ransomware attack does not only bring a company to a standstill. It increasingly spills into a marriage and family life.
The CEO of a fictional company tries to hold together his business, his family and his own capacity to act. Told largely without dialogue, the story is framed by his daughter. Her perspective turns a technical incident into a personal question of responsibility, presence and protection.
A melancholic love song in the tradition of sweeping pop-rock ballads creates a deliberate contrast with the escalating situation: the music promises intimacy while the characters drift further apart.

03 / Conceptual short film
A reversible text changes not the facts, but the perspective from which we read them.
The film begins with a resigned claim: technological progress favors the attackers, security remains an illusion and the battle already appears to be lost.
The same statements are then rearranged in reverse order. Loss of control becomes agency; resignation becomes a plea for collaboration and responsibility. The shift in perspective is not merely the film's message – it is its complete dramatic principle.